CV begins with a fundamental question: How do our expectations shape our decisions?

It investigates that inquiry within photography, a practice of decisions. It challenges the medium by asking how the nature of the photographic process is altered when we move from the conventional WYSIWYG (“What You See Is What You Get”) paradigm to an unpredictable instrument.

Born from the dissonance between human perception and machine interpretation, CV uses computer vision algorithms to manipulate what the camera 'sees' in real time. The result is an apparatus that acts not as a passive recording device, but as a sensory mirror—one that is misaligned, delayed, partial, and inherently curious.

While CV stands for 'Computer Vision,' its function might be better described as a 'Cognitive Vibration' or a 'Curated View.' Ultimately, it is not an instrument meant to display truth, but one designed to question the very nature of it.”